Y.M.O.の前 - パート 3

Before They Were Y.M.O. - Part 3
Y.M.O.の前 - パート 3



Ryūichi Sakamoto - Thousand Knives (1978)
坂本龍一 - 千のナイフ



We now conclude our three-part special, "Before They Were Y.M.O.", with Ryūichi Sakamoto and his 1978 solo debut Thousand Knives of Ryuichi Sakamoto.

It should go without saying that much of what appears on Thousand Knives hints at what was to come from Y.M.O., as both future members of the group, Yukihiro Takahashi and Haruomi Hosono, join Sakamoto on the recording. Its title track begins with an ethereal vocoder monologue that gives way to a funky space-dance groove, complete with whaling guitar solos and synthesized tribal percussion.

From the music on the album one can catch a glimpse of Sakamoto's early vision of Japanese electro-pop, a music far removed from the cold, calculated rhythms of Kraftwerk, one of Y.M.O.'s most frequent comparisons. And as with Thousand Knives, there is an organic quality to Sakamoto's music; something that is at the same time playful and daring, yet distinctly Japanese.

As a classically trained musician, Sakamoto received instruction in both traditional and electronic music, as well as composition, from the faculty at Tokyo's prestigious National University of Fine Arts and Music. As a result, it is quite easy to perceive an academic influence in the music he produced during the late 1970s. In comparison with his colleagues in Y.M.O., both of whom attended equally reputable art schools, Sakamoto was much more so a "composer" than he was performer (at least outside of the conservatory). Ultimately, it was Sakamoto's academic training coupled with his bandmates' studio background and firm grounding in rock and pop that made Y.M.O. the successful and dynamic group we know them as today.

Here's a clip from 1979 of Y.M.O. performing "Thousand Knives" live at the Greek Theatre in Los Angeles:

坂本九 - 上を向いて歩こう (1961)

Kyū Sakamoto - Ue O Muite Arukō
坂本九 - 上を向いて歩こう



With our first MP3 posting, we head straight to the classics...

Better known by its title in America, "Sukiyaki", Kyū Sakamoto's 1961 hit "Ue O Muite Arukō" took two years to hit the West after its debut in Japan. It was covered in the U.K. by Kenny Ball & His Jazzmen under the altered title and was so-named when the original version was released by Captiol Records in the States.

Sakamoto was an influential singer and songwriter in the late 50s and 60s, and served as a young voice for a generation of Japanese pop musicians. He was only 43 when he died in a plane crash in Gunma Prefecture on August 12th, 1985.

"Sukiyaki" remains the first and only Japanese-language song to ever hit #1 on the U.S. Billboard Top 100, as it did so June 15th, 1963. Since then, the song has become a standard in and outside of Japan and has been covered by hundreds of artists, most notably in America by A Taste Of Honey (1981) and 4 P.M. (1995), whose versions both made it to the Billboard Top 10.

Though its cheerful marimba work and upbeat whistling solo may deceive the English-speaking listener, "Ue O Muite Arukō", which literally translates to "look up while walking", is a ballad of heartbreak and loss. The lyrics describe a lonely protagonist who looks to the sky so that tears will not fall from his eyes.

Here's an early music video of "Ue O Muite Arukō" found on YouTube: